Posts In: centering practice

Cozy up to this Fall edition of Yoga One teacher interviews all about transitions, tips for staying centered, and their ideal Fall mornings… Get to know Lori who teaches a Vinyasa Flow, Levels 1 & 2 class on Mondays at 5:30pm.

Visit www.yogaonesandiego.com to register for classes.

Q: Can you tell us a time yoga supported you through a transition?

Lori: Just recently, my son moved out of our home and into the dorms at UCSD. My husband and I are now empty-nesters. This was a very exciting, stressful and emotional time for all of us. 

Our son was stepping into independence, and my husband and I found ourselves in a delicate place of wanting to help and wanting to give him space. 

Getting on my mat and moving with my breath kept me centered and grounded throughout this whole process. I set my intentions and guided myself through the process of letting go.   

When big feelings came up or during a stressful moment, taking slow, deep, conscious breaths brought me back to that place of centered presence. I’m so grateful for my yoga practice!

guest post by Heather Fenwick

How does your meditation practice look and feel? We’re highlighting stories of meditation in everyday life to help de-mystify this life-changing practice and share simple meditation techniques with those just getting started. Share your experience in the comments or by email, info@yogaonesandiego.com

Photograph of meditation altar with salt lamps, statue, candle, and a note that reads, "you are enough."My meditation practice lately is not as regular as you might think – some days on, some days off. I meditate for up to 20 minutes, or as little as 3 minutes. Even just three minutes, (as Amy Caldwell reminds me, “any amount”) is helpful.

I have a meditation altar, which I love. It’s a place that always invites mindfulness when I see it. Kuan Yin, the goddess of compassion, sits atop the triple India guide book throne. The Dalai Lama, Chinese medicine accoutrements, and Himalayan salt lamps (to neutralize the ions put out by electronics) complete the scene.

Sometimes I just observe the monkey mind in disbelief (when your thoughts are restless and swirling) and I try to cultivate amusement or acceptance, or some combination of both.

Other times, I drop into a breathing practice that I learned from Sarah Clark:

Breathe in and feel the height of the inhale in the upper palate, lifting to the crown.
Exhale, engage a light root lock, feel the seat heavy on the ground.

Breathing is so simple and so profound.
~ Heather

Even just enjoying a conscious  breath can be meditation. Give it a try?

by Monique Minahan

vishuddi
The birds are chirping even though it’s still dark. This kind of silence – the kind that isn’t devoid of noise but rather full of presence – is the backdrop for my practice today.

Physically located at the level of the throat, vishuddi chakra represents a gateway between body and mind, through which the energy of this chakra can be suppressed or expressed. As an energetic center for communication, creativity, and expression, this chakra is not just about speaking. It’s also about feeling heard.

Instead of beginning with the beeja mantra ham, I explore the concept of toning, where body and breath invite a sound vibration to form, whatever that sound may be. The tones I create symbolize speaking my truth, as opposed to regurgitating truths I’ve been taught by others.

I begin on my exhale breath with a guttural groan. As I refrain from judging or perfecting it, I watch it transition through numerous auditory forms, eventually settling on a cathedral-like ahhhhh.

From the seat of an observer I acknowledge the things I have heard in my lifetime: from my inner dialogue, my conversations with others and what I’ve been taught to be true by people in authority.

And I sense the times I’ve refrained from speaking my truth over the years, whether out of fear of being punished, disapproved of or not understood.

With the intention of freeing my voice both physically and energetically, I begin ujjayi pranayam. I place a finger at the front of my throat, the glottis, and visualize the breath entering there, at the front-body location of vishuddi chakra, known as the chakra kshetram. I place another finger on my cervical spine at the back of my neck, visualizing the breath exiting through the spine, the back-body location of vishuddi chakra. Then I reverse the cycle so it begins at the back of the neck and travels forward. This practice focuses my awareness, breath and entire being on the physical and energetic center of vishuddi.

Vishuddi is often translated as “purification,” but I think of it more as refinement. As a pause between body and mind where I begin to distinguish the chatter of my unconscious mind from a higher level of knowledge. An energetic space where I can observe the way things have been and choose to create a new song for my life.

I sit a little longer listening to the sound of my breath. Before opening my eyes I speak out loud my vision of how my voice contributes to the chorus of life. I hear that truth with my ears and I seal it by bowing my head to my heart.

Part 6 of a 7 part series. You can find part 5 here: Anahata, The Heart.

Mo Minahan

Monique Minahan
Contributing Writer

Mo is a writer and yoga teacher who believes in peace over happiness and love over fear. She likes to set her sights high and then take small steps to get there. You’ll find her walking the dirt path behind her house with her little fluffy dog, practicing walking her talk by keeping her head high and her heart open. Contact: moniqueminahan.com